tisdagen den 18:e juni 2013
A.M.L.
I am happy and proud to be selling Andreas Martin-Löfs Clamp lamp in Lotta Agaton Shop. If you don't live in Stockholm you can buy them here.
Fashionista
Fetisishism in Fashion is the name of Li Edelkoorts new book and the the fifth Biennale in Arnhem curated by Li that will take place June 8-July 21.
måndagen den 17:e juni 2013
söndagen den 16:e juni 2013
Home sweet home
Mats Gustafson
fredagen den 14:e juni 2013
Residence
Styling by me and photo by dear sweet Mikkel Mortensen/Yellows. See more pics here.
lördagen den 8:e juni 2013
måndagen den 3:e juni 2013
måndagen den 27:e maj 2013
torsdagen den 23:e maj 2013
Notebooks
Therese Sennerholt just did some fantastic notebooks for Lotta Agaton Shop. Yey! They come in a set of 2 that costs 250 SEK and will only be sold in my shop and Therese Sennnerholts webshop. Pics by Kristofer Johnsson and styling by me.
onsdagen den 22:e maj 2013
CSA
Pic 2+3 Felix Odell for ResidenceMagazine the rest via Tenka Gammelgaaard.
My new assistant!
I am super excited and look forward to have Sara Mortensen come working with me this fall. Välkommen Sara!
lördagen den 18:e maj 2013
fredagen den 17:e maj 2013
Working process
I have been thinking a lot about the collaboration between Patricia Urquiola and the Italian brand Moroso. I beleive that they work quite diffrent than most other companies in the furniture industry. I think that their longterm relationship and the way they have developed and experimented with their working process, materials and colours during many years now has been the ground and key to Morosos big success and has also given Patricia Urquiola the freedom to grow as a designer. A win win situation. Nevertheless these kind of collaborations is very rare in the furniture industry. We see a lot of similar working processes in the fashion industry. The big fashion houses always sign up with big names to help them develop their brands on a longterm basis.
In interiors I have a feeling that when a designer raises like for example Nendo did a few years ago all of a sudden he does furnitures for about 20 diffrent companies but only one piece every here and there. I wonder what would happen if we worked more like fashion (and Moroso) does. What would Nendo do for a company if they let him experiment and develop freely for several years? I think the brands would be more individual and stronger and that the designers would become more brave if they had a design-playground instead of just making safe one-pieces and spend so much time handling all their diffrent clients.
In interiors I have a feeling that when a designer raises like for example Nendo did a few years ago all of a sudden he does furnitures for about 20 diffrent companies but only one piece every here and there. I wonder what would happen if we worked more like fashion (and Moroso) does. What would Nendo do for a company if they let him experiment and develop freely for several years? I think the brands would be more individual and stronger and that the designers would become more brave if they had a design-playground instead of just making safe one-pieces and spend so much time handling all their diffrent clients.
onsdagen den 15:e maj 2013
Thereses new collection
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